Our origins, our history, our heritage: Cains Moore re-elaborates and innovates the most traditional processes, colors, iconic models that have distinguished us for seventy years. Take a look at the new Autumn Winter collection letting yourself be fascinated by a cultured and sophisticated atmosphere.
The Cains Moore FW 22/23 collection is a refined balance between new traditional processes such as the English coast, the rice grain, the braids of English tradition and the lightness of Sevenites folk-inspired textures and patterns. Color continues to guide the collection, declining in nuances that leave their mark: with more lively and vibrant shades, to softer and more natural tones.
Inlaid rhombuses, Norwegian proposed in multiple patterns, jacquard checks, fringes and braids make up the new wardrobe of Donna Cains Moore, who expresses her energy and has fun mixing colors and patterns with a retro taste. The Man of the next Fall / Winter season expresses his personality and character by choosing iconic garments in cashmere blend such as the Norwegian turtleneck, the rice grain crewneck that becomes more and more important and the jumper half zip.
On the occasion of Cains Moore's 70th Anniversary, Heritage and knitwear culture come together to give new life to our most iconic garment: the Sean cashmere blend cardigan in English coast is dressed in new colors and shades.
Jacquard is a processing technique used in knitwear and weaving characterized by complex geometric or figured motifs that takes its name from the inventor of the machine that is able to do this, Joseph-Marie Jacquard.
The motifs reproduced thanks to the jacquard technique are not drawn or printed but sewn directly into the mesh or fabric.
The origins of jacquard date back to the 1800s, a historical period in which the embroidery on the fabrics was made exclusively by hand. This decidedly complex practice required very long production times and the use of several hands in addition to those of the weaver for a single piece.
In 1801, at the Exposition des Produits de l'Industrie National in Paris, the Lyonese Joseph-Marie Jacquard, the son of weavers, presented a device that applied to the manual loom made the selection of the threads mechanical to weave the design on the fabric. The jacquard loom was born which allowed the weaver to work on the loom without the help of assistants.
In the following years, the important contribution that the jacquard loom brought to the textile production sector was recognized: greater attention to detail, the possibility of choosing increasingly elaborate designs and top quality fabrics.
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